Do You NaNo?

Well, we’re more than halfway through November, so, if you joined in this amazing writing fest, are you over halfway through the 50,000 words needed to win NaNoWriMo?

Thankfully, I’m over halfway. Phew!

When I decided to do it again this year my reasons were not pure. I have written a first draft of a novel every November since 2013 and I have published each one in due course the following year. Although I can usually write that first draft no problem in the month, it takes me many more months to edit, polish and publish each one.

This year, I didn’t think I could manage to do another novel, what with one thing and another, but I did have last year’s rough first draft hanging around, so I decided my challenge this year was to write the second draft.

The reason I decided to go for NaNoWriMo at all this year was because I couldn’t bring myself not to. The thought of breaking my seven year run was too much for me. So here I am, just over halfway through the month and more than halfway through the second draft. Yipee!

If you’re unfamiliar with the concept, NaNoWriMo stands for National Novel Writing Month, and it happens every November. It’s far from ‘National’ now. People from all over the world join in these days, tens of thousands of them. Many of them ‘win’. And that’s the thing about NaNoWriMo, everyone who completes the 50,000 word count is a winner. And can I tell you, that’s a great feeling.

Write every day, no matter the distractions!

The reason I do it every year is the motivation it provides to stick in and write every day. Before 2013, it could take me years to write the first draft of a novel, let alone the years that then went into editing and polishing it. By the third novel I wrote and published, I’d gotten it down to months, but still too many months, to write a first draft. And the reason it took me so long was simple. I didn’t write every day.

When you don’t write every day, in my experience, you lose the flow of the piece and each time you open the manuscript, you have to look back, sometimes all the way to the beginning and read yourself back into it. That takes time, sometimes a lot of time.

Writing every day, your story never quite leaves your consciousness and it is much easier to pick up where you left off. Especially if you stop in mid-flow, which is a trick I learned somewhere along my writing career.

Of course, NaNoWriMo has its critics. What doesn’t? There are those who say it’s not possible to write a book in a month, and I actually agree, with one proviso. I don’t believe it is possible to write a GOOD book in a month. It’s perfectly possible to write a good first draft in that time. In fact most of the first drafts I have written during that month have been well over the 50,000 word count. It’s possible to write over 100,000 words in a month if you have the time, a good outline, good planning, and the health and energy to write at least 3,334 words every single day. I know some writers can do that and more in a day. I’m afraid I can’t.

But it’s not the volume of words that make a good novel. It’s the quality. The quality choice of words, of sentence structure, and the quality of the story telling. And I doubt there are many writers who have published a GOOD first draft. I know far too many who have published a poor one. And that, unfortunately is what draws the criticism.

Again, I can only speak from my own experience but for me writing the first draft is the easy part. Taking on board the critique of Alpha readers, Beta readers, rewriting, editing, proofreading, these are the time consuming and work intensive parts of writing a novel. And I don’t believe they should be skipped. Even books published by mainstream publishers go through that process, so I don’t believe it’s a process that should ever be neglected. Not if you want to truly WIN NaNoWriMo.

But I’d welcome your thoughts on the subject.

All my novels are available on Amazon Kindle or as Paperbacks.

The Things that we Love

❤️ I was recently gifted one of my favourite things – a brand new notebook ❤️

It’s always fun to have a new notebook, especially one with such gorgeously smooth, snowy-white paper as this one.

It’s always fun to have a new notebook.

There’s always that moment of possibilities. What shall I use this one for? It could be a journal, a jotting-things-down-so-I-don’t-forget-them type notebook, the place I write my next novel, a book for composing poetry ~ oh, so many ways I can use a new notebook. There is so much joy in the anticipation.

This particular notebook has a quotation on the bottom of each right-hand page, so I feel this one may be a journal where the quotations act as writing prompts, getting me thinking about what they mean and their relevance or significance.

On the first right-hand page, Thomas Aquinas is credited with having written, “The things that we love tell us what we are.”

Do you think that’s true?

I got to thinking about all the different people and things that I love and the list was long, the double page spread was going to be no where near enough for me to explore them all in journal form, never mind explore the concept as it relates to each one, deciding if the saying fits or not.

There are some where it doesn’t quite fit if you take it literally. For instance, I love flowers, but I’m not a flower, or even a gardener. I love music but I’m no musician, fruit but I’m not a fruitarian.

Taken literally, does the act that I love books tell me I’m a book? Of course not, but it might reflect that I’m a reader.

That I love writing certainly tells me I’m a writer. Quite apart from the fact I have written novels, and can see them sitting on my bookshelf, the evidence became clearer to see as, day after day, I filled two pages of the notebook with no trouble at all.

I love stories, and in some ways it could be said we’re all stories still being written, I suppose, if you want to interpret it that way. What I am is a story-teller. I love taking words and crafting them into sentences, sentences into paragraphs, paragraphs into pages; building stories. So, in that respect, it’s true that what I love tells me what I am. I love stories, and I am a writer of stories.

The more I wrote in my new journal, the more instances I found where the saying proved true in my case, with lots of other things I love. I love cooking: one of the ‘hats’ I’ve worn as a wife and a mother is my cook’s ‘hat’. I love walking: I’m a walker. You get the picture, I’m sure.

So what about you? Does the saying hold true for you? Did Thomas Aquinas get it right in your case when he said, “The things that we love tell us what we are.”? How would you interpret the saying? I’d really value your thoughts if you’d care to share them in the comments.

Whatcha Doin’, Papa?

I wonder, do you have a brother or sister, a niece or nephew, or even a son or a daughter, who you love dearly, but they also frustrate you? They’re mischievous and naughty, but endearing too. They’ve found your buttons and know how to press them.

That’s how my relationship with my father-in-law was. He was like a naughty child right into his nineties. I loved him dearly and have a lot of warm, happy memories of him but, there’s no getting away from it, he was a frustrating old rascal sometimes.

Like the time he fixed our roof.

It was forty years ago and he was in his sixties, too old to be climbing onto the roof, too young to resist it.

The house we lived in at that time had been extended by a previous owner, making a large kitchen and eating area. The extension boasted a flat roof.

In Scotland.

Where rain is not a stranger.

A flat roof with poor drainage.

(The correct way to deal with this information is to sigh and shake your head, or even to tut! and question the previous owner’s sanity.)

Above the eating area of this large kitchen, there was a pitched glass roof, surrounded by a moat. I call it a moat with good reason. It was often filled with water and, from time to time, it leaked. It leaked onto the table below and the diners around it.

So, forty years ago, when we were moving house and had insufficient funds to repair the roof, we decided – honesty being the best policy – we would tell any prospective buyers about the problem and leave it to them to decide if they had the funds to fix it.

Enter my dear father-in-law.

He was a very gregarious man and I’m certain he knew everybody in our village – and their business – despite the fact that he lived at some distance and visited infrequently.

Dissatisfied with how we intended to handle the matter of the roof, that dear, kind, lovely man decided to take matters into his own hands.

We were unaware of the road works going on in our village, but Papa, as the children called my dear father-in-law, was not only aware of such, but already on excellent terms with the workmen. 

He returned from the ‘stroll’ he informed us he was taking, carrying a bucket. Before we even knew where he’d procured it and what it contained, he’d carried it through the house and climbed out of our sons’ bedroom window onto the flat roof, where he proceeded to pour the bucket’s contents all around the moat. 

“Whatcha doin’, Papa?” my eldest son asked as he watched the black, treacly stuff being dispensed.

“What are you doing, Dad?” I asked, seeing the steam and hearing the fizz as the hot, gluey liquid hit the cold, wet surface of the moat. 

“Neil! You have no business up there whatever you’re doing,” said his wife, my mother-in-law.

Someone, possibly me, possibly my husband, took a photograph to record what we could hardly believe with our eyes.

“What I’m doing,” Papa said. “Is fixing the roof.”

I think he hoped for thanks.

Just as he traipsed back through the house with his messy bucket, the rain started hammering on the glass roof, and there was a knock on the front door.

A couple of prospective buyers come to view the house.

When we reached the threshold of the kitchen and I was telling these viewers to mind the step down, and they were ooh-ing and aah-ing at how lovely and big and bright the kitchen was, I did wonder what the plopping noise might be.

Plop! Plop! Pl-l-l-op! A slow glutinous plopping sound.

The sound of hot, runny, black-as-black, icky-sticky tar.

You know the stuff. They use it in road-mending.

Tar, which far from ‘fixing’ the leaky roof, was itself leaking through the roof, raining down on the idyllic scene of our children abandoning their snacks on the table and making a run for safety.

The prospective buyers also made a run for it, straight out the front door, followed very closely by Papa’s car disappearing down the driveway from the back door.

He did toot his goodbye as he passed the kitchen window, and indicated he’d left us to return the disgustingly sticky bucket.

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You can find all of Christine Campbell’s novels on Amazon Kindle or in Paperback here.

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Gold Plated Review

What a boost I received this morning to find that Anne Williams, a lady I have never met, but would really like to one day, had read and reviewed my latest novel, Gold Plated. It was an excellent review for several reasons.

For one thing, it was an example of how to write a review. there were no plot spoilers in it, and she didn’t retell the story, both things that are unnecessary and annoying in a review. What Anne Williams did, was to share what she liked and didn’t like about the book, and why she liked or didn’t like these things.

She commented on the story and the quality of writing, which is what a potential reader wants to know about.

Gold Plated, along with all of my novels, is available as an ebook or a paperback here

And the review is available on Anne Williams website, here

Apart from anything else, it’s well worth reading as a model of how to review a book.

https://beinganne.com/2018/12/review-gold-plated-by-christine-campbell-campbama-womensfiction-olderreaders/

 

 

 

Five Questions Answered

It was my pleasure to be interviewed by fellow author and blogger, Killarney Traynor, this week.

https://www.killarneytraynor.com/the-blog/five-questions-for-christine-campbell

A Date in Drumnadrochit

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Meet me in Drumnadrochit.

I’ll be there. Will you?

For those of you who have never had the pleasure of visiting Drumnadrochit, it’s a delightful village by the shores of Loch Ness in Scotland, about 30 minutes west from Inverness.

“Situated at the head of Urquhart Bay on the northern shore of Loch Ness. If anywhere could be classed as the home of the Loch Ness Monster mystery, this would arguably be the spot. Drumnadrochit is the home to the Loch Ness Centre whose five star exhibition is endorsed by Scottish Natural Heritage as a ‘portal to the unique phenomenon that is Loch Ness’. Here, the real inner secrets of Britain’s greatest lake are revealed, shedding some very unexpected light upon the mystery for which it is so widely known. And if you’re really keen, you can even go for a monster-spotting cruise on the Loch with one of the excellent cruise companies sailing each day. Just down the road you find Nessieland with its informative and entertaining Loch Ness presentation, a great day out for all the family!” – quoted from Visit Loch Ness 

You may not have the opportunity to meet Nessie, but on Wednesday, 21st March, at 7pm, you have the opportunity to meet and greet me,  Christine Campbell, Author – in Drumnadrochit. I won’t be talking about the monster, but about my books and writing process, and you’ll have the opportunity to ask questions and have a book signed in the delightful Cafe Eighty2.

Cafe Eighty2, sits just off the A82 as you drive through the village, and among its many charms are a terrific selection of homebaked cakes and speciality teas.

So if you are anywhere in the vicinity, why not come join us in Drumnadrochit.

If that’s a bit of a stretch, another option would be to meet us in Lifting The Lid Off Christine’s Kist of Stories – a new group on FaceBook. A great opportunity to talk to the author about a book you’re reading, taking the ‘Author Meet and Greet’ to a whole new level.

Just click on the link and ask to join the fun.

 

Christine’s Kist of Stories

Are you familiar with the word ‘kist’?

It’s origin is from the Old Norse kista, meaning chest.
The word appears in several countries and, in the Scots language, it’s the name for a large chest or coffer often used for storing linen, such as a new bride’s trousseau.
Also used for storing treasure. And it’s in that context I’d like to introduce my kist to you.

My hubby wrote me a beautiful song for our 50th wedding anniversary – about my ‘Kist of Stories’, describing my stories as treasure. How cool is that? Well, I felt so honoured by this I want to honour him in return by using the song as my ‘brand.’

So I have started a Book Group on FaceBook, called Lifting The Lid Off Christine’s Kist Of Stories. The aim of the group is to allow readers to interact with me about my books. So, if you’re interested in learning the stories behind the stories, you’re welcome to join. The group is designed to take the ‘Author Meet and Greet’ to a whole new level.

My daughter has recorded the song and I’d like to share it with you here. To help you understand it, since it’s written in the style of an old Scots song, here are the words written out. I’d be happy to explain any that are unfamiliar to you. Just let me know in the comments which words puzzle you.

Christine’s Kist O’ Stories

Sparkling there, tae love and share,
Gleam tales o’ pains and glories
Of lovers kissed, and children missed
In Christine’s kist o’ Stories

Folks that’s real, that breathe and feel,
Wi’ lives o’ less, or more ease
Come tumblin’ out, tae sigh, tae shout
Frae Christine’s kist o’ Stories

Frae Reekie’s chills tae Cuillin hills,
They tak’ delightfu’ sorties
That turn and twist thru lambent mist
Tae Christine’s kist o’ Stories

~~~

The video ‘Christine’s Kist of Stories’ comes to you from team Pow.
Filmed and produced by Tim Pow
Words and music by Gus Campbell
Sung by Aimee Pow
Original painting by Michelle Campbell
Scenery by Scotland

Enjoy!

Featured Book: The Writer’s Book Launch Guide

As an author with another novel almost ready to be released, I thought I’d like to feature a book that I read recently on the subject. Unfortunately, I am not starting to prepare for my launch twelve months ahead, which is where the book starts giving helpful suggestions, but there is still a lot in this book that I find very useful.

Let me pass you over to the author, Keely Brooke Keith, to tell you all about her book.

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Book marketing and promoting can be intimidating for authors. Since the day I (Keely Brooke Keith) signed my first publishing contract, I’ve kept a list of book promoting ideas. With each book launch, I try them and add to them for my next launch. I have both traditionally published friends and indie friends who’ve asked for my list (and a couple of publishers too). So, I created The Writer’s Book Launch Journal and spread the to-do lists over 12-months to turn it into an easy to follow plan for any author. Many of my author friends love this journal, as even some big publishers rarely give a book’s publicity more than a couple hours of an intern’s time these days.

Whether you’re an indie author or signed to a publisher, let The Writer’s Book Launch Journal guide you through the marketing and promotional tasks every author should do to ensure a successful book launch. Filled with checklists of essential tasks, an abundance of publicity suggestions, and questions to personalize your promotions, The Writer’s Book Launch Journal will lead you on the journey to a fun and fulfilling book launch.

And since some authors want the information in The Writer’s Book Launch Journal but prefer to scroll through the checklists on their computer, I’ve also written the ebook The Writer’s Book Launch Guide: A Step-By-Step Plan to Give Your Book the Best Launch Possible. This ebook is a good companion to The Writer’s Book Launch Journal because the tasks are explained in more depth. I recommend getting both the journal and the ebook together.

Discover how and when to:
* Ready your author website
* Craft a compelling book description
* Rally your writing allies
* Recruit a launch team
* Build media connections
* Get book endorsements
* Create a media kit
* Find book reviewers
* Use social media
* Create promotional videos
* Run giveaways
* Contact book bloggers
* Let book websites spread the word for you
* Throw a book launch party
* Send email announcements
* And much more!

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I thought this was a very well presented and well researched publication, with loads of useful information and suggestions. It might have been nice to have a little more ‘how to’ help for some of the suggestions, but it would probably not be difficult to find that elsewhere online. I haven’t as yet purchased the Writer’s Book Launch Journal, but I certainly plan to, having read the book.

Altogether, I found this a very useful addition to my writer’s resources library, and I shall try to implement as many of the suggestions as I can in the time left before the launch of my next novel.

You can learn more about Keely and her resources for writers here on her website.

~~~

You can find the three books of The Reluctant Detective Series and four more stand-alone novels  written by Christine Campbell here on Amazon

And look out for her next novel, Foe What it’s Worth, coming shortly.

~~~

 

 

The Shopping Habit

 

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FreeDigitalPhotos.net

One definition of ‘addiction’ is ‘the condition of being habitually or compulsively occupied with or involved in something’ and this definition brings one of life’s pleasures to mind: shopping.

I don’t think I’m actually addicted to shopping, but I do believe I could easily become addicted, given the chance. Living in the country, miles from any shops, is a help or a hindrance depending on your point of view. I think it’s a help, but if someone wants to throw some spare cash my way, I’m willing to test the theory.

What is decidedly not helpful to a shopping addict is the advent of internet shopping. A while back, when I was driving north with He Who Prefers Not To Be Named, I noticed an enormous, huge, ginormous Amazon warehouse had been built within ten miles of our home, ‘Just for us,’ we agreed. We are both seriously addicted to buying books on Amazon. It is just too easy. However, I have curbed my need for the services of the said warehouse: most of my Amazon purchases now are eBooks.

Research shows that many people buy things they don’t need, some buy things they don’t even want and most of these folks are a bit concerned about their shopping habits, some admitting they are ‘addicted’ to shopping.

In the developed world, merchandisers play to this addiction. Millions of Pounds, Dollars, Euros and Yen are spent every year on advertising. They wouldn’t do it if it didn’t work.

Advertisers play on our emotions, telling us we deserve more and better than we have, assuring us that our life will be enhanced if we buy their products. It rarely turns out to be that way. In the words of an exceptionally wise man: Even when a person has an abundance his life does not result from the things he possesses. (Luke 12:15) and another wise man: A mere lover of silver will not be satisfied with silver. (Ecclesiastes 5:10)

No wonder many shopping addicts are concerned about their shopping habit. They may well have come to the same conclusion – that it is just not bringing them satisfaction. But how to cure the addiction? Often professional help is needed. Identifying the underlying problem is necessary. Having a supportive friend or relative is helpful.

~~~

Several things inspired me to write my novel, ‘Making It Home’.

Being just a teeny bit addicted to shopping was one. The thing is, I can live fine without it until I’m there, in the shopping mall or on the High Street, then I feel as though I’ve failed some test or other if I go home empty-handed. And I know I sometimes fall into the category of buying things I like but I don’t actually need. I mean, do I really need yet another ‘wee top’?

What is it about shopping that gets me?

My addiction is under control now, though it was never a serious problem. In my case, it wasn’t need or loneliness, but it was dissatisfaction with my looks and my figure. I had lost my sense of identity while raising our children and hadn’t found it again yet. I was constantly looking for that perfect dress, the one that would make me look tall and slim, those perfect jeans that would not only be comfortable but would make me look young and vital, that special wee top that would make me feel young and pretty again.

In analysing that, I got caught up in the idea of writing a story about someone who – unlike me, I hasten to add – just couldn’t stop buying things even when the money had well and truly run out. I thought it would be interesting to explore what her underlying problems could be and help her find some help to deal with them.

The discovery of a deceased relative’s secret addiction to shopping was another inspiration, albeit a sad one. Who knew Auntie J was filling her home with purchases she had no use for, filling cupboards and rooms with unopened carrier bags, receipts dating years back still inside them with the items she’d bought: the overwhelming sadness of her loneliness clearly unabated by hundreds of shopping trips? Who knew? Childless and widowed years before, she lived far from extended family and had few friends, mostly by choice, being a very private person. Reluctant to visit or be visited, her secret was only discovered when her home had to be cleared for sale after her funeral.

I used my overwhelming sadness to tell a little of Auntie J’s story in my novel, Making it Home, allowing a fictional character to carry her secret and share her loneliness. I like to think she might have enjoyed the alternative ending.

Making It Home

41C9fKLVtzL._UY250_ Kate had a home, but her heart wasn’t in it – or in her marriage. So she left them both.
Phyllis had a home – and her heart was in it – but she wanted something more. So she shopped.
Naomi had no home and her heart was in cold storage, frozen by grief and fear. So she shopped.
They found one another in a department store in Edinburgh.
The trouble with ‘retail therapy’ is, you can overdose.
As friendship grows between these three women, they help one another face up to their problems, realising along the way, every heart needs a home and it takes more than a house to make one.

Christine Campbell Amazon Author Page

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What about you? How do you feel about shopping: love it or hate it? Do you know what compels you to shop, or is it something you have to force yourself to do when you need a particular item? Please share your shopping thoughts and stories, good or bad, in the comments. I’d love to read them.

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Interview with the Author

A couple of months ago, on June 29, 2016, I was interviewed by Meryl Stenhouse, here on her blog. She had invited me to talk about my latest release, Rusty Gold, the third book in The Reluctant Detective Series.

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Rusty Gold by Christine Campbell

Find her,’ Agnes Donald begged. ‘Find my daughter.’

The words of a dying woman force Mirabelle to take on another case for the unofficial Missing Persons Bureau she runs from her Edinburgh flat. Along with her assistant, Kay, she heads for the island of Skye where Esme Donald was last known to be. But is someone else looking for Esme too? And could Mirabelle’s own daughter, Summer, be in danger?

~~~

Meryl asked me some very interesting questions, questions that helped me express the origins of this series, letting readers in behind the scenes of my novels. I hope you enjoy the interview. If you want to see it in its original form, do please go to Meryl’s blog. In fact you might enjoy to do that anyway after reading this post. Meryl has written lots to interest you there.

Meryl Stenhouse: Your novel’s heroine Mirabelle is a single mother, which is an unusual but excellent choice. What led you to choose a single mother as your heroine? What challenges and opportunities did this represent in writing the story?

Christine Campbell: I chose to tell Mirabelle’s story as a single mother because there are so many single parent families around these days and I think it must be tremendously difficult to balance all the pressures of work or career and bringing up a child or children.
I got to thinking what if? What if there was a crisis in a single parent family, like a child disappearing from home? Who would the single parent turn to? What impact would it have on his or her work or career? How would it change his/her priorities? What regrets would he/she have? Things like that.

The main challenge it represented was that although I am mum, I have never had to function as a single parent, so I had to try to get inside my character’s head. I had to imagine how it would be different, but also how it would be the same.

For instance, the things that I think would be the same are the panic and pain, the anxiety and strain of such a frightening situation. I did’t find it too hard to imagine how I, as a mum, would react: how I would feel, what I would do.

A huge difference is sharing the anxiety, panic and pain with the other parent. Whenever there is any kind of difficult or worrying situation in our family, my husband and I can talk about it. We can comfort one another, work out together what we need to do.

For a single parent – in my story, a single mum – I would imagine it is very different. Although she may have very supportive family and friends, at the end of the day, she goes to bed on her own and the night must seem to last forever. So I had to work out who Mirabelle’s support team would be, and how and where she would find comfort.

One of the opportunities writing this story gave me was to examine how I would feel if I had to do things on my own. I rely on my husband so much that thinking about being on my own in such a dreadful situation was very upsetting for me. Making myself imagine it, get into Mirabelle’s head and heart, walk a mile in her shoes, so to speak, was a great exercise in empathy for me. It helped me appreciate what a great job so many single parents make of bringing up their children.

MS: You have included the homeless of Edinburgh as characters in the book, a group that is traditionally invisible. What prompted this decision?

CC: In part, it was prompted by the realisation that people can be homeless for a variety of reasons, not all of them their own fault. Even if it is their choice, it is a hard life, but for many it isn’t a choice. The statistics for young people who have left home because of domestic abuse are frightening. For them, even living rough in parks, cemeteries and squats are better than what they had.

One young woman I talked to who left home to live on the streets when she was only fourteen told me that she found the homeless community looked after her better than her parents had. She said, yes, she had to choose carefully who she associated with, learning to avoid the unscrupulous, the malicious and those who were too far gone with drugs, but a great part of the homeless community is made up of decent, honest people who have, for one reason or another, found themselves homeless.

Some of them are somewhat eccentric, some of them are difficult to communicate with, some may even be somewhat dangerous, but they are still people. I wanted to give a small section of them a voice.

MS: Rusty Gold is set on the Isle of Skye. How have you communicated the individuality of that setting to the reader? Have you traveled there yourself? What challenges did this location present to the story?

The first two books in this series, The Reluctant Detective Series, are set mostly in Edinburgh or further north but still in the east of Scotland. My husband and I are originally from the west of Scotland and we have holidayed in Skye several times over the years, plus his paternal family originated there, so, when we were planning to visit Skye again for a couple of weeks and it was time to start plotting Rusty Gold, I decided why not take Mirabelle there with us.

While there, I researched where I wanted certain scenes to take place, going to each one several times, sitting quietly on beaches getting the feel of them as well as studying them visually, travelling the single track roads across moorlands, through glens and beside lochs.

I knew Mirabelle would fall in love with Skye as I had many years ago, so my challenge was to help my readers fall in love with it too. It’s never ideal to have long, descriptive passages in a modern novel, so I tried to give the flavour of the surroundings through the characters’ eyes and actions.

I listened carefully to how natives of Skye spoke: they tend not to abbreviate but speak carefully and correctly, with a delightful lilt in their speech. I tried to portray that in the people Mirabelle meets.

When I travelled about the island, I was often held up waiting for sheep to move aside, or highland cattle to meander along in front of me, so I allowed that to happen to Mirabelle and her friend as they travelled.

From time to time, I felt compelled to stop the car at the side of the road to get out and marvel at some fabulous views, so I had them do that too, in the hopes that my readers would be able to imagine the Island of Skye. It is a truly beautiful setting.

Rusty Gold is available to buy in paperback and on Amazon Kindle.

AmazonBarnes and NobleWaterstones FeedaRead – The paperback can also be ordered from most bookshops.

Christine Campbell is a writer. She has always been a writer. For as long as she can remember, she has scribbled poems and prose, snippets and stories on scraps of paper, in the back of cheque books, napkins, on the back of her hand — anything more durable than her faulty memory.
She loves being a writer, a novelist, in particular, and she write contemporary fiction: strongly character-based, relationship novels — with a smidgen of romance and a generous dusting of mystery and detection.
She has learned a lot about her craft since that wonderful night when she held her first completed, printed manuscript novel in her arms. Her first book-baby.
Christine has now completed and published seven novels, the seventh newly ready to leave home and see the big wide world and, even more importantly, to be seen by it. It’s so exciting when your book-babies grow up and leave home. As mother of five grown-up, married children and ten grandchildren, Christine knows a lot about babies growing up and leaving home!

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I hope you enjoyed Meryl’s interview. Didn’t she ask some great questions? It’s quite an art form in itself, interviewing, and I think Meryl has mastered it. Thank you, Meryl.

What do you think? Are there interviews you’ve read that really help you get to know your favourite author better? Or some that made your toes curl?

Do share your stories in the comments. I love hearing from you.

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