Featured Book: The Writer’s Book Launch Guide

As an author with another novel almost ready to be released, I thought I’d like to feature a book that I read recently on the subject. Unfortunately, I am not starting to prepare for my launch twelve months ahead, which is where the book starts giving helpful suggestions, but there is still a lot in this book that I find very useful.

Let me pass you over to the author, Keely Brooke Keith, to tell you all about her book.

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Book marketing and promoting can be intimidating for authors. Since the day I (Keely Brooke Keith) signed my first publishing contract, I’ve kept a list of book promoting ideas. With each book launch, I try them and add to them for my next launch. I have both traditionally published friends and indie friends who’ve asked for my list (and a couple of publishers too). So, I created The Writer’s Book Launch Journal and spread the to-do lists over 12-months to turn it into an easy to follow plan for any author. Many of my author friends love this journal, as even some big publishers rarely give a book’s publicity more than a couple hours of an intern’s time these days.

Whether you’re an indie author or signed to a publisher, let The Writer’s Book Launch Journal guide you through the marketing and promotional tasks every author should do to ensure a successful book launch. Filled with checklists of essential tasks, an abundance of publicity suggestions, and questions to personalize your promotions, The Writer’s Book Launch Journal will lead you on the journey to a fun and fulfilling book launch.

And since some authors want the information in The Writer’s Book Launch Journal but prefer to scroll through the checklists on their computer, I’ve also written the ebook The Writer’s Book Launch Guide: A Step-By-Step Plan to Give Your Book the Best Launch Possible. This ebook is a good companion to The Writer’s Book Launch Journal because the tasks are explained in more depth. I recommend getting both the journal and the ebook together.

Discover how and when to:
* Ready your author website
* Craft a compelling book description
* Rally your writing allies
* Recruit a launch team
* Build media connections
* Get book endorsements
* Create a media kit
* Find book reviewers
* Use social media
* Create promotional videos
* Run giveaways
* Contact book bloggers
* Let book websites spread the word for you
* Throw a book launch party
* Send email announcements
* And much more!

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I thought this was a very well presented and well researched publication, with loads of useful information and suggestions. It might have been nice to have a little more ‘how to’ help for some of the suggestions, but it would probably not be difficult to find that elsewhere online. I haven’t as yet purchased the Writer’s Book Launch Journal, but I certainly plan to, having read the book.

Altogether, I found this a very useful addition to my writer’s resources library, and I shall try to implement as many of the suggestions as I can in the time left before the launch of my next novel.

You can learn more about Keely and her resources for writers here on her website.

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You can find the three books of The Reluctant Detective Series and four more stand-alone novels  written by Christine Campbell here on Amazon

And look out for her next novel, Foe What it’s Worth, coming shortly.

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#FridayReads ~Reviewing my favourite books from 2016

What a wonderful surprise to find one of my books on a reviewer’s list of her favourite books from 2016! And in such great company! Thank you Lizanne Lloyd. I feel honoured, and I’m delighted.

Lizanne

According to Goodreads, of the 65 books I have read this year, 21 are contemporary stories, 18 historical fiction, 7 crime novels and 5 mysteries. In addition, I chose to read 5 non-fiction history books, 3 steampunk novels, 2 travel books, one young child’s book, one dystopian novel and one of literary fiction. Only one is specifically a romantic novel, but of course romance often turns up in historical novels or mysteries too and definitely in most contemporary stories. There is a lot of blurring at the edges.
The number of books in each category does not surprise me, but perhaps next year I should try self-help, vampire books or maybe return to fantasy or science fiction. I’m not promising!
These are my highlights of the year.

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Midnight Sky Cover LARGE EBOOK

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Rusty

AB Bamboo Island

Lake House

I could list more, but I will stop with these chosen few from my favourite genres; historical, contemporary and mystery.  If you click…

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Book Review: Courting the Countess by Anne Stenhouse

A book review by Anne Stormont of ‘Courting the Countess’, a regency romance by Anne Stenhouse – yes, two Annes for the price of one 🙂
“The dialogue is, as always, to the fore and fairly crackles and zings,” Anne says. I like that. And I’m not surprised by it because Anne Stenhouse, the author of this book, is also a playwright.
Type of read (according to Anne): In an Edinburgh New Town hotel or residence, but failing that, in your own living-room, curtains drawn, on your chaise longue by a roaring log fire and a do-not-disturb sign on the door.
This one is on my To Be Read list. I’m itching to read it but I try to read books in the order I buy them. What about you? Is that how you do it? Or do you allow your books to jostle for position and settle down on the couch with the front runner? Do tell in the comments below.
Maybe this is one that will be in the jostle 🙂

Put it in Writing

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Genre: Historical Fiction

Regular readers of my book reviews will know that crime and contemporary fiction along with the occasional work of non-fiction are my main areas of choice when it comes to reading. But historical fiction by this particular author will always get my intention. I’ve read, enjoyed and reviewed all her previous books and all are full of romance, wit and great period detail.

So I knew the chances were I’d also enjoy her latest novel and I certainly did.

But even if I’d not read this author’s previous books, the chances are I’d have been sufficiently intrigued by the premise behind this Regency romance to give it a go. In an interview on Rosemary Gemmell’s blog which you can read here, Anne Stenhouse explains that the idea for Courting the Countess arose out of a writing competition entry she did. The competition brief was to come up…

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4 Plot Pitfalls You Need to Avoid – ProWritingAid

Okay! So it seems I need to go back to the current draft of my WIP brandishing a large red pen!

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 Some great suggestions in this article, along with the comments from my beta readers, have made me re-examine my plot. I now know why there were parts that felt sluggish to my readers and to me, and what I think I’m going to do about them.

This article was published on the ProWritingAid website on April 16th, 2016,  written by Kathy Edens, a blogger, ghost writer, and content master who has extensive experience helping clients reach their readers with compelling and engaging material. You can find Kathy at www.kathy-edens.com

I’m so pleased I stumbled upon the article.

It’s so hard to ‘kill your darlings’, as William Faulkner and Stephen King would have us do. I knew there were scenes in my WIP that didn’t fulfil two important criteria: to move the plot along or to develop the characters.

Strike one!

But I like those scenes. There is some great writing in them: some clever, witty dialogue, some great observations on life, some handsome metaphors. But the story could live and thrive without them. One of my trusted beta readers (she’ll know who she is :-)) tactfully pointed them out when she said I didn’t have her whole attention at some points in the story – backing up my intuitive feeling.

Strike two!

Then I read this article. “If a character with a subplot isn’t absolutely vital to the denouement, use that red pen,” Kathy says.

Strike three!

I’d already deleted part of one character’s involvement. Now I think more the rest of her part needs to go.

There’s another character, Elouise, who I know I shall keep, but I don’t need to tell her story. This is not her story. It is Yvonne and Hugh’s story. She can play a part in it, but it is not about her, much and all as Elouise would like it to be.

“Think of it this way,” Kathy says. “Don’t kill your darling; simply move her to a new novel as the main character.”

Elouise is a great character and her story is interesting, so I shall delete those scenes in this WIP and use them in the novel I already planned to write about her at another time. I know she’ll be pleased to have a novel all about her. She’s that kind of girl. Win/win.

What fun editing can be when you listen to the wisdom of others who know the craft, and you find the courage to take their advice.

Okay, so this is all very well to talk about in theory, now I have to see if I can go through with it. Where’s that red pen? Gulp!

What about you? Is this article helpful to you? – well, I know, you’ll have to read it first, but after you do, why not let me know in the comments?

I’d love to find I’m not alone in this.

~~~

Over to you Kathy …

We’re going to spend a little bit of time on plot this month—talking about what NOT to do. Sometimes it’s hard to see plot problems while you’re writing and you don’t notice them until the end. This will send some writers into a downward spiral of negative self-talk. Others will white-knuckle their way through half-hearted revisions. Here are a few common plot pitfalls and what you can do to rectify them.

Source: 4 Plot Pitfalls You Need to Avoid – ProWritingAid

Interview with the Author

A couple of months ago, on June 29, 2016, I was interviewed by Meryl Stenhouse, here on her blog. She had invited me to talk about my latest release, Rusty Gold, the third book in The Reluctant Detective Series.

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Rusty Gold by Christine Campbell

Find her,’ Agnes Donald begged. ‘Find my daughter.’

The words of a dying woman force Mirabelle to take on another case for the unofficial Missing Persons Bureau she runs from her Edinburgh flat. Along with her assistant, Kay, she heads for the island of Skye where Esme Donald was last known to be. But is someone else looking for Esme too? And could Mirabelle’s own daughter, Summer, be in danger?

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Meryl asked me some very interesting questions, questions that helped me express the origins of this series, letting readers in behind the scenes of my novels. I hope you enjoy the interview. If you want to see it in its original form, do please go to Meryl’s blog. In fact you might enjoy to do that anyway after reading this post. Meryl has written lots to interest you there.

Meryl Stenhouse: Your novel’s heroine Mirabelle is a single mother, which is an unusual but excellent choice. What led you to choose a single mother as your heroine? What challenges and opportunities did this represent in writing the story?

Christine Campbell: I chose to tell Mirabelle’s story as a single mother because there are so many single parent families around these days and I think it must be tremendously difficult to balance all the pressures of work or career and bringing up a child or children.
I got to thinking what if? What if there was a crisis in a single parent family, like a child disappearing from home? Who would the single parent turn to? What impact would it have on his or her work or career? How would it change his/her priorities? What regrets would he/she have? Things like that.

The main challenge it represented was that although I am mum, I have never had to function as a single parent, so I had to try to get inside my character’s head. I had to imagine how it would be different, but also how it would be the same.

For instance, the things that I think would be the same are the panic and pain, the anxiety and strain of such a frightening situation. I did’t find it too hard to imagine how I, as a mum, would react: how I would feel, what I would do.

A huge difference is sharing the anxiety, panic and pain with the other parent. Whenever there is any kind of difficult or worrying situation in our family, my husband and I can talk about it. We can comfort one another, work out together what we need to do.

For a single parent – in my story, a single mum – I would imagine it is very different. Although she may have very supportive family and friends, at the end of the day, she goes to bed on her own and the night must seem to last forever. So I had to work out who Mirabelle’s support team would be, and how and where she would find comfort.

One of the opportunities writing this story gave me was to examine how I would feel if I had to do things on my own. I rely on my husband so much that thinking about being on my own in such a dreadful situation was very upsetting for me. Making myself imagine it, get into Mirabelle’s head and heart, walk a mile in her shoes, so to speak, was a great exercise in empathy for me. It helped me appreciate what a great job so many single parents make of bringing up their children.

MS: You have included the homeless of Edinburgh as characters in the book, a group that is traditionally invisible. What prompted this decision?

CC: In part, it was prompted by the realisation that people can be homeless for a variety of reasons, not all of them their own fault. Even if it is their choice, it is a hard life, but for many it isn’t a choice. The statistics for young people who have left home because of domestic abuse are frightening. For them, even living rough in parks, cemeteries and squats are better than what they had.

One young woman I talked to who left home to live on the streets when she was only fourteen told me that she found the homeless community looked after her better than her parents had. She said, yes, she had to choose carefully who she associated with, learning to avoid the unscrupulous, the malicious and those who were too far gone with drugs, but a great part of the homeless community is made up of decent, honest people who have, for one reason or another, found themselves homeless.

Some of them are somewhat eccentric, some of them are difficult to communicate with, some may even be somewhat dangerous, but they are still people. I wanted to give a small section of them a voice.

MS: Rusty Gold is set on the Isle of Skye. How have you communicated the individuality of that setting to the reader? Have you traveled there yourself? What challenges did this location present to the story?

The first two books in this series, The Reluctant Detective Series, are set mostly in Edinburgh or further north but still in the east of Scotland. My husband and I are originally from the west of Scotland and we have holidayed in Skye several times over the years, plus his paternal family originated there, so, when we were planning to visit Skye again for a couple of weeks and it was time to start plotting Rusty Gold, I decided why not take Mirabelle there with us.

While there, I researched where I wanted certain scenes to take place, going to each one several times, sitting quietly on beaches getting the feel of them as well as studying them visually, travelling the single track roads across moorlands, through glens and beside lochs.

I knew Mirabelle would fall in love with Skye as I had many years ago, so my challenge was to help my readers fall in love with it too. It’s never ideal to have long, descriptive passages in a modern novel, so I tried to give the flavour of the surroundings through the characters’ eyes and actions.

I listened carefully to how natives of Skye spoke: they tend not to abbreviate but speak carefully and correctly, with a delightful lilt in their speech. I tried to portray that in the people Mirabelle meets.

When I travelled about the island, I was often held up waiting for sheep to move aside, or highland cattle to meander along in front of me, so I allowed that to happen to Mirabelle and her friend as they travelled.

From time to time, I felt compelled to stop the car at the side of the road to get out and marvel at some fabulous views, so I had them do that too, in the hopes that my readers would be able to imagine the Island of Skye. It is a truly beautiful setting.

Rusty Gold is available to buy in paperback and on Amazon Kindle.

AmazonBarnes and NobleWaterstones FeedaRead – The paperback can also be ordered from most bookshops.

Christine Campbell is a writer. She has always been a writer. For as long as she can remember, she has scribbled poems and prose, snippets and stories on scraps of paper, in the back of cheque books, napkins, on the back of her hand — anything more durable than her faulty memory.
She loves being a writer, a novelist, in particular, and she write contemporary fiction: strongly character-based, relationship novels — with a smidgen of romance and a generous dusting of mystery and detection.
She has learned a lot about her craft since that wonderful night when she held her first completed, printed manuscript novel in her arms. Her first book-baby.
Christine has now completed and published seven novels, the seventh newly ready to leave home and see the big wide world and, even more importantly, to be seen by it. It’s so exciting when your book-babies grow up and leave home. As mother of five grown-up, married children and ten grandchildren, Christine knows a lot about babies growing up and leaving home!

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I hope you enjoyed Meryl’s interview. Didn’t she ask some great questions? It’s quite an art form in itself, interviewing, and I think Meryl has mastered it. Thank you, Meryl.

What do you think? Are there interviews you’ve read that really help you get to know your favourite author better? Or some that made your toes curl?

Do share your stories in the comments. I love hearing from you.

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I’m Sorry, It Wasn’t About You!

I’d like to share with you a very thought provoking post by Erika Kind that I stumbled upon. I’m so glad I found it because it really resonated with me. Perhaps it will with you too. That feeling when “you were a victim of your mind’s storage room.”

Erika Kind

I remembered an incident that happened quite some time back in my life. When it came to my mind I thought I may not be the only one who is endlessly thankful for someone who puts their ego aside and only helps us healing the wounds which still affect our lives at times.

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Authors Spotlight : PattyWiseman.

I thought I’d share this author spotlight on Dave Mayall’s blog with you today. In the spotlight is Patty Wiseman, a delightful lady and author, and her series set in 1920s Detroit.
This series looks good and is on my To-Be-Read list. According to the great reviews it’s been getting, I’ll need to set aside a bit of time because it sounds like I’ll not want to put these books down once I start them.

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An Unlikely Arrangement by Patty Wiseman.

Young and rebellious, Ruth Squire defied her parents to live the high life of young people in 1929 Detroit. Handsome and responsible, Peter Kirby worked diligently to make his family’s life easier. Rich and powerful, Eric Horton held the fates of many families in his hands.
These three lives intertwine through the differing worlds of high society, middle-class life, and organized crime, culminating in an engagement, a kidnapping, a misunderstanding …
… and a murder.

Watch the trailer click here

Top Customer Reviews

Format: Kindle Edition Verified Purchase

I really enjoyed this story. I am not normally a historical romance person, but I loved the characters in this story, and it kept giving unexpected twists and turns. Plus the author obviously put a lot of time in…

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Smorgasbord Summer Reading – What Tim Knows and other stories by Wendy Janes

It is my pleasure to reblog Sally Cronin’s Summer Reading post. The book featured today is ideal Summer Reading, perfect for lying back with on the beach or in the garden. Six short stories with a subtle link. I can heartily recommend this book by novelist Wendy Janes, having read it and thoroughly enjoyed it already.

Smorgasbord Summer Reading – Rusty Gold (Third book in the Reluctant Detective Series) by Christine Campbell.

The lovely Sally Cronin has featured my books on her blog under ‘Summer Reading’.

Interview with Christine Campbell

It was such a pleasure to be interviewed by Elizabeth Hein for her blog. She asked some interesting questions about my writing process and the theme that runs through all my novels.

Elizabeth Hein - Scribbling In The Storage Room

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It’s my pleasure to welcome Christine Campbell to the Storage Room today. Rusty Gold, the third book in her Reluctant Detective Series, was released yesterday so it’s a real treat to talk with her today. Christine and I write in the same genre and tend to address many of the same issues, but in very different ways. I love how that happens. Anyway, here’s Christine –

What genre books do you write?

Contemporary Women’s Fiction, though some of them almost fall into the cosy mystery/cosy crime sort of area.

What types of books do you typically read?

Contemporary Women’s Fiction, Cosy Crime, Mystery, Legal/courtroom novels, Relationship novels (not really romance)

Whatever I read, I like it to be a ‘clean’ read, as in no swearing, sex or violence. I’m also not into fantasy or science fiction – and especially not paranormal or supernatural.

So I suppose I have a…

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